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Studio Rink

Locally produced sculptural objects from unfiltered clay

‘I only think about clay’. Ceramicist and designer Rink Schelling has found her medium of choice. ‘It’s such a complex material with endless variations in composition and possibilities’ she says. While studying at the Willem de Kooning Academy in Rotterdam, Rink discovered clay and it was love at first sight. Rink is mainly interested in clay that is as ‘raw’ as possible; clay that she digs up herself and that has not been filtered or cleaned. With this clay, she creates sculptural objects, often in vase-like shapes that reflect the unique character of the material itself. The composition of salts, impurities and residual organic material create a multitude of surprising effects in the kiln, such as unexpected colours and textures on the ‘skin’ of the ceramic object. ‘These objects tell the history of the clay,’ she says.

Looking for a way to further tell the story of this local clay, Rink asked herself the question: ‘Would it be possible to make a ceramic object where the entire production process, raw material to finished product, has taken place in a single location?’ This is Rink’s main point of research as part of Crafts Council Nederlands (w)aardewerk project.

The world as a refrigerator

After intensive research into building her own ceramic kilns, Rink has succeeded. In a Zeeland polder, Rink collects sea clay and builds her own ceramic kiln from bricks. In this kiln, she fires the sculptural ceramic objects, burning wood from the nearby forest. In this way, she manages to have the entire production process take place within a four-kilometre radius.

During this process, the outcome is much less reliably repeatable than, for example, with firing in an electric ceramic kiln. As a result, the outcome remains uncertain until the last moment, and it is additionally very labour-intensive. ‘The process grounds me a lot. I very much believe in putting a lot of effort into your work. The world has become a kind of refrigerator where you can grab everything ready-made, but knowledge about how these things are made is so scattered that nobody seems to know anymore.’

Would it be possible to make a ceramic object where the entire production process, raw material to finished product, has taken place in a single location?

Knowing where your raw materials come from is an important part of taking control of the production process. ‘Almost all the clay used in the Netherlands is white stoneware clay from Germany. This has a more homogeneous composition than Dutch clay, which contains many more minerals and impurities. That’s why we consider stoneware clay higher quality. But we also apply it when it is not absolutely necessary, such as when making works of art. As a material, Dutch clay is much more exciting to work with.’ Rink therefore advocates more use of local clay in, for example, the art world.

Taking care of your surroundings

Rink’s fascination with local Dutch clay opened her eyes to the endless differences in clay around the world. ‘Everywhere I go now, I see clay. This is one more way in which I ground myself. In fact, I become much more aware of my general surroundings by paying attention to such a small detail as the type of soil.’ According to Rink, it would be good if more people could become aware of their surroundings in such a way. ‘It’s good to understand where you are, because then you will take better care of that place. The earth would benefit a lot from that I think.’

With this project, Rink is only at the beginning of her research into the possibilities of clay. This is why she has benefited greatly from the (w)aardewerk community of practice and the expertise shared within it. ‘As ceramists, we often find ourselves working on our own. When you run into a problem, you expend huge energy looking for a solution by yourself. Now I got answers to substantial questions I would never have found on my own.’ Rink is inspired to continue working with clay, in all its forms, for a long time to come. ‘I’m still young – but I can really spend my life with this!’

@studio.rink
studiorink.com

Text: Anke Vromen
Photography: Fan Liao

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